Oshituthi shomagongo is one of the colorful events in the Namibian calendar that promotes unity / Science Techniz. This year the Omagongo cu...
![]() |
Oshituthi shomagongo is one of the colorful events in the Namibian calendar that promotes unity / Science Techniz. |
Oshituthi shomagongo is our national heritage (uuthiga wetu woshilongo) and here to stay. The festival is hosted each year by a different Aawambo community of northern Namibia. All people from all works of life and different ethnic groups from the various regions of Namibia attended the Omangongo festival that ended over the weekend. Last year over 5000 people including foreigners took part in the Festival. Both men and women, dressed in their colorful traditional clothes.
![]() |
Promoting development through cultural heritage is the guiding thread of Marula Fruit Festival event / UNESCO. |
![]() |
Namibian people dancing during Omagongo Festival photography / Annelien Robberts. |
The National Heritage Council of Namibia is the statutory body mandated by the National Heritage Act, No. 27 of 2004 to protect and promote the country’s natural and cultural heritage. Established in 2005 as successor to the National Monuments Council, the NHC works with traditional authorities and communities to document, safeguard, and celebrate intangible cultural heritage—Oshituthi shomagongo among them.
A central feature of the festival is the direct involvement of youth. Children and young adults observe and participate in fruit collection, processing, dance, music, and storytelling. This engagement ensures that cultural practices are transmitted from one generation to the next, strengthening identity and community pride. For many young Namibians, the festival is their first immersive experience in traditional knowledge systems.
The festival also highlights the roles of both women and men in cultural practice. Women often lead in food preparation and marula processing, while men contribute through the crafting of utensils, music, and public rituals. Both roles complement each other, reflecting values of cooperation and balance. In contemporary Namibia, these dynamics also provide space for rethinking gender equity within cultural heritage.
The marula tree itself carries symbolic and ecological value. Beyond providing fruit for the festival, it is deeply embedded in local cosmology and environmental stewardship. Protecting marula groves contributes to biodiversity, soil conservation, and sustainable rural economies. The festival, therefore, doubles as a celebration of ecology and an affirmation of Namibia’s commitment to sustainable development goals.
Since its recognition by UNESCO, Oshituthi shomagongo has attracted greater media coverage, academic research, and cross‑cultural exchange. Delegations from other African countries and beyond attend to learn about Namibia’s approaches to safeguarding intangible heritage. The festival serves as a model for how culture can strengthen identity while contributing to modern development strategies.
Festivals like Omagongo are living repositories of knowledge. They transmit craft techniques, foodways, moral teachings, environmental care, and creative expression. They also provide a shared stage where urban and rural Namibians, elders and youth, and local hosts and foreign guests meet as equals. In doing so, the celebration advances unity, pride, and sustainable development.